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Electronic Transfer   [2001]

Electronic Transfer Released by :
SHAPE

Release Date :
25 November 2001

Type :
C64 Music

Released At :
X'2001

Achievements :
C64 Music Competition at X'2001 :  #1

User rating:*********_  9.4/10 (11 votes)   See votestatistics

Credits :
Music .... 6R6 of Blues Muz', Nostalgia, Onslaught, SHAPE


SIDs used in this release :
Electronic Transfer(/MUSICIANS/B/Blues_Muz/Gallefoss_Glenn/Electronic_Transfer.sid)

Download :

Look for downloads on external sites:
 Pokefinder.org


User Comment
Submitted by Conrad on 29 November 2021
20 years later and still an amazing sid!

The voice samples (around 0:58) sound a lot like the C64 SAM voice... anyone think so?
User Comment
Submitted by celticdesign on 11 May 2013
wtf, just awesome.
User Comment
Submitted by jailbird on 15 March 2012
This is the most awesomest club mix style sid in existence!
User Comment
Submitted by Frantic on 22 March 2010
wow!
User Comment
Submitted by Motion on 2 April 2009
Sounds just great on the new Sidplay! ...and even the speech is clear in XMPlay, plus what a cool name for a track.

User Comment
Submitted by pvcf on 2 April 2009
nice 41er trance sweep! it sounds like my korg prophecy, RESPECT!
User Comment
Submitted by Burglar on 8 August 2008
I'll say it again

do not forget this tune.

it is really really good.
User Comment
Submitted by Burglar on 17 August 2007
do not forget this tune.

it is really really good.
User Comment
Submitted by ready. on 23 November 2005
Outstanding!!In the end there it says "ele-ctronic", a speech half way between sound and real speech. On sidplay it is more like a sound and you can't really notice what it says...on the real C64 with old sid chip is a lot different. Hear the differece!!!
User Comment
Submitted by Steppe on 12 June 2002
One of the technically most amazing tunes I ever heard. Great use of digis that change pitch during playback, amazing pulsewidth sweeps and a quite dark technological atmosphere make this tune outstanding. Check it out on a real C64 as even Sidplay2 fails to emulate the pitch-changes of the samples.
Glenn, give us more of that kind! :-)
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